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	<title>Comments on: Week 6 summary: ethnographic artefact</title>
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	<link>https://edc15.education.ed.ac.uk/eguzman/2015/02/22/week-6-summary-ethnographic-account/</link>
	<description>Ed&#039;s Education and digital culture blog</description>
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		<title>By: PJ Fameli</title>
		<link>https://edc15.education.ed.ac.uk/eguzman/2015/02/22/week-6-summary-ethnographic-account/#comment-75</link>
		<dc:creator><![CDATA[PJ Fameli]]></dc:creator>
		<pubDate>Sat, 07 Mar 2015 14:20:12 +0000</pubDate>
		<guid isPermaLink="false">http://edc15.education.ed.ac.uk/eguzman/?p=296#comment-75</guid>
		<description><![CDATA[Ed, check out YouTube videoclip on MOOC buddies: https://www.youtube.com/watch?v=NlRhX_EJ_U0. The video itself is a bit tedious and tiresome, but I think the concept of &#039;MOOC buddies&#039; is interesting, as it relates to &#039;coaching circles&#039; and MOOCs. Cheers, PJ]]></description>
		<content:encoded><![CDATA[<p>Ed, check out YouTube videoclip on MOOC buddies: <a href="https://www.youtube.com/watch?v=NlRhX_EJ_U0" rel="nofollow">https://www.youtube.com/watch?v=NlRhX_EJ_U0</a>. The video itself is a bit tedious and tiresome, but I think the concept of &#8216;MOOC buddies&#8217; is interesting, as it relates to &#8216;coaching circles&#8217; and MOOCs. Cheers, PJ</p>
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		<title>By: sbayne</title>
		<link>https://edc15.education.ed.ac.uk/eguzman/2015/02/22/week-6-summary-ethnographic-account/#comment-54</link>
		<dc:creator><![CDATA[sbayne]]></dc:creator>
		<pubDate>Fri, 06 Mar 2015 10:05:57 +0000</pubDate>
		<guid isPermaLink="false">http://edc15.education.ed.ac.uk/eguzman/?p=296#comment-54</guid>
		<description><![CDATA[This is really interesting Ed, and thanks for the further explanation. One issue you raise for me is whether it&#039;s possible to really analyse and critique the algorithms driving textisbeautiful without knowing much more about how they work - I think it&#039;s fascinating the way you foreground their description of all this complexity as &quot;our technology&quot;!

There&#039;s a &lt;a href=&quot;http://www.sciencedirect.com.ezproxy.is.ed.ac.uk/science/article/pii/S147177271100011X&quot; rel=&quot;nofollow&quot;&gt;great paper by Introna and Hayes&lt;/a&gt; which interrogates the algorithms driving the plagiarism prevention &#039;service&#039; Turnitin, which raises exactly this point. They argue that once we understand how that algorithm operates, we can then understand how Turnitin works to define and label particular kinds of students as &#039;plagiarists&#039; - well worth a read. The additional issue they raise is that many of these algorithms are not available to analyse because they are proprietary and therefore not visible.]]></description>
		<content:encoded><![CDATA[<p>This is really interesting Ed, and thanks for the further explanation. One issue you raise for me is whether it&#8217;s possible to really analyse and critique the algorithms driving textisbeautiful without knowing much more about how they work &#8211; I think it&#8217;s fascinating the way you foreground their description of all this complexity as &#8220;our technology&#8221;!</p>
<p>There&#8217;s a <a href="http://www.sciencedirect.com.ezproxy.is.ed.ac.uk/science/article/pii/S147177271100011X" rel="nofollow">great paper by Introna and Hayes</a> which interrogates the algorithms driving the plagiarism prevention &#8216;service&#8217; Turnitin, which raises exactly this point. They argue that once we understand how that algorithm operates, we can then understand how Turnitin works to define and label particular kinds of students as &#8216;plagiarists&#8217; &#8211; well worth a read. The additional issue they raise is that many of these algorithms are not available to analyse because they are proprietary and therefore not visible.</p>
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		<title>By: Martyn</title>
		<link>https://edc15.education.ed.ac.uk/eguzman/2015/02/22/week-6-summary-ethnographic-account/#comment-39</link>
		<dc:creator><![CDATA[Martyn]]></dc:creator>
		<pubDate>Tue, 03 Mar 2015 04:25:10 +0000</pubDate>
		<guid isPermaLink="false">http://edc15.education.ed.ac.uk/eguzman/?p=296#comment-39</guid>
		<description><![CDATA[Ed, amazing visuals, reading through the further explanation above it&#039;s really clear what you set out to do. I also think the way you reported the discussions has protected the participants and is a very ethical approach. It&#039;s something that I definitely had issues with when trying to report my findings on the learning community.]]></description>
		<content:encoded><![CDATA[<p>Ed, amazing visuals, reading through the further explanation above it&#8217;s really clear what you set out to do. I also think the way you reported the discussions has protected the participants and is a very ethical approach. It&#8217;s something that I definitely had issues with when trying to report my findings on the learning community.</p>
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		<title>By: bhenderson</title>
		<link>https://edc15.education.ed.ac.uk/eguzman/2015/02/22/week-6-summary-ethnographic-account/#comment-37</link>
		<dc:creator><![CDATA[bhenderson]]></dc:creator>
		<pubDate>Mon, 02 Mar 2015 11:17:27 +0000</pubDate>
		<guid isPermaLink="false">http://edc15.education.ed.ac.uk/eguzman/?p=296#comment-37</guid>
		<description><![CDATA[Hi Ed, I really like the design and visual side of your digital ethnograhy,  I can see that you must have a background in graphic design!  I am just wondering why you decided to produce the artifact in this way?  Do you think a visually stimulating report allows the viewer to understand the content easier rather than a traditional report look?

Ben]]></description>
		<content:encoded><![CDATA[<p>Hi Ed, I really like the design and visual side of your digital ethnograhy,  I can see that you must have a background in graphic design!  I am just wondering why you decided to produce the artifact in this way?  Do you think a visually stimulating report allows the viewer to understand the content easier rather than a traditional report look?</p>
<p>Ben</p>
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		<title>By: PJ</title>
		<link>https://edc15.education.ed.ac.uk/eguzman/2015/02/22/week-6-summary-ethnographic-account/#comment-36</link>
		<dc:creator><![CDATA[PJ]]></dc:creator>
		<pubDate>Sat, 28 Feb 2015 16:06:57 +0000</pubDate>
		<guid isPermaLink="false">http://edc15.education.ed.ac.uk/eguzman/?p=296#comment-36</guid>
		<description><![CDATA[Ed, et.al., visualizations appeal to me, on a certain level, because I consider myself a &#039;visual&#039; person. I know that Jeremy is an expert on all things MOOC and &#039;visual.&#039; Did we share Tweet of Jeremy&#039;s article &quot;From MOOCs to Learning Analytics: Scratching the surface of the &#039;visual&#039;&quot; (eLearn Magazine, Nov 2014)? or did I just read that article on my own? Anyway, one point I would like to add here is that I learned as much much Ed&#039;s elaboration above and the questions and responses above as from the artefact itself. I was previously genuinely interested in the MOOC that Ed is enrolled in and further intrigued by the concept of &#039;coaching circles.&#039; Typically, one thinks of a coach, not a group of coaches. I viewed Ed&#039;s post earlier this week, and it aligned with an path of exploration of &quot;meta-&quot; leading to my discovery of Peter Diamandis&#039; &quot;meta-intelligence group&quot; which I tweeted and will blog about. 
The future of education is about collective and constructivist learning, collaboration, &#039;coaching circles;&#039; call it what you will.  

Ed, I was also intrigued that you chose correlational wheel type visualizations. I think different people are attracted to different types of visualizations. Some people like pie, or bar, or line charts. I tried Textisbeautiful.net myself, and posted on my  blog for my  ScanFilmTV MOOC micro-ethnography script. I  chose topic clouds for that visualization. It illustrates immediately some salient themes because I am familiar with what I am looking at. For example, &#039;Danish&#039; and &#039;Swedish&#039; referring to films are more prominent than &#039;Norwegian.&#039; That was immediately evident to me, but might not be to other viewers. I did find Textisbeautiful to be more useful than other word picture tools that I have tried, such as Wordle. Your 28 February message above is a nice elaboration that helped me understand the underlying explications of the correlational wheels visuals and themes that I might not have grasped otherwise.]]></description>
		<content:encoded><![CDATA[<p>Ed, et.al., visualizations appeal to me, on a certain level, because I consider myself a &#8216;visual&#8217; person. I know that Jeremy is an expert on all things MOOC and &#8216;visual.&#8217; Did we share Tweet of Jeremy&#8217;s article &#8220;From MOOCs to Learning Analytics: Scratching the surface of the &#8216;visual'&#8221; (eLearn Magazine, Nov 2014)? or did I just read that article on my own? Anyway, one point I would like to add here is that I learned as much much Ed&#8217;s elaboration above and the questions and responses above as from the artefact itself. I was previously genuinely interested in the MOOC that Ed is enrolled in and further intrigued by the concept of &#8216;coaching circles.&#8217; Typically, one thinks of a coach, not a group of coaches. I viewed Ed&#8217;s post earlier this week, and it aligned with an path of exploration of &#8220;meta-&#8221; leading to my discovery of Peter Diamandis&#8217; &#8220;meta-intelligence group&#8221; which I tweeted and will blog about.<br />
The future of education is about collective and constructivist learning, collaboration, &#8216;coaching circles;&#8217; call it what you will.  </p>
<p>Ed, I was also intrigued that you chose correlational wheel type visualizations. I think different people are attracted to different types of visualizations. Some people like pie, or bar, or line charts. I tried Textisbeautiful.net myself, and posted on my  blog for my  ScanFilmTV MOOC micro-ethnography script. I  chose topic clouds for that visualization. It illustrates immediately some salient themes because I am familiar with what I am looking at. For example, &#8216;Danish&#8217; and &#8216;Swedish&#8217; referring to films are more prominent than &#8216;Norwegian.&#8217; That was immediately evident to me, but might not be to other viewers. I did find Textisbeautiful to be more useful than other word picture tools that I have tried, such as Wordle. Your 28 February message above is a nice elaboration that helped me understand the underlying explications of the correlational wheels visuals and themes that I might not have grasped otherwise.</p>
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		<title>By: Jeremy Knox</title>
		<link>https://edc15.education.ed.ac.uk/eguzman/2015/02/22/week-6-summary-ethnographic-account/#comment-35</link>
		<dc:creator><![CDATA[Jeremy Knox]]></dc:creator>
		<pubDate>Sat, 28 Feb 2015 12:56:36 +0000</pubDate>
		<guid isPermaLink="false">http://edc15.education.ed.ac.uk/eguzman/?p=296#comment-35</guid>
		<description><![CDATA[Really interesting artefact Ed, and excellent to see your descriptions in the post and further explanations in the comments. Data visualisations are so appealing aren&#039;t they? I guess that is why I appreciated your explanation of the production process here. Visualisations have an explanatory power that I think needs to be interrogated and critiqued. We need to understand *how* visualisations produce knowledge about communities, rather than just considering the surface image. 

So, my question would be about what you think was lost and gained through representing the community in this way. A more traditional &#039;ethnography&#039; might have generated written field notes, so do the visualisations add something more &#039;objective&#039; or &#039;evidence based&#039; here? And perhaps more generally, how do you view data visualisations - do they provide the new &#039;truths&#039; about social life so often promised? Some of these themes will be great to continue thinking about as we enter the third block on algorithmic culture.]]></description>
		<content:encoded><![CDATA[<p>Really interesting artefact Ed, and excellent to see your descriptions in the post and further explanations in the comments. Data visualisations are so appealing aren&#8217;t they? I guess that is why I appreciated your explanation of the production process here. Visualisations have an explanatory power that I think needs to be interrogated and critiqued. We need to understand *how* visualisations produce knowledge about communities, rather than just considering the surface image. </p>
<p>So, my question would be about what you think was lost and gained through representing the community in this way. A more traditional &#8216;ethnography&#8217; might have generated written field notes, so do the visualisations add something more &#8216;objective&#8217; or &#8216;evidence based&#8217; here? And perhaps more generally, how do you view data visualisations &#8211; do they provide the new &#8216;truths&#8217; about social life so often promised? Some of these themes will be great to continue thinking about as we enter the third block on algorithmic culture.</p>
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		<title>By: Ed Guzman</title>
		<link>https://edc15.education.ed.ac.uk/eguzman/2015/02/22/week-6-summary-ethnographic-account/#comment-34</link>
		<dc:creator><![CDATA[Ed Guzman]]></dc:creator>
		<pubDate>Sat, 28 Feb 2015 08:42:24 +0000</pubDate>
		<guid isPermaLink="false">http://edc15.education.ed.ac.uk/eguzman/?p=296#comment-34</guid>
		<description><![CDATA[Thanks Jin. Indeed the coaching circles were quite successful; however, the downside is that they were quite to difficult to organise. Half of the posts in the forum were about organising them, even three weeks after the course had started. The site uses a spreadsheet that allows participants to form groups of five, with each group assigned a number that helps participants ask others to find and join them. There were some complaints about members not showing up but none about members being antagonistic or insensitive with each other. My impression is that the course topic attracts a particular audience. Combined with the fact that the discussion forum requires an additional registration, only participants with similar levels of commitment and views end up participating in the circles.]]></description>
		<content:encoded><![CDATA[<p>Thanks Jin. Indeed the coaching circles were quite successful; however, the downside is that they were quite to difficult to organise. Half of the posts in the forum were about organising them, even three weeks after the course had started. The site uses a spreadsheet that allows participants to form groups of five, with each group assigned a number that helps participants ask others to find and join them. There were some complaints about members not showing up but none about members being antagonistic or insensitive with each other. My impression is that the course topic attracts a particular audience. Combined with the fact that the discussion forum requires an additional registration, only participants with similar levels of commitment and views end up participating in the circles.</p>
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		<title>By: Ed Guzman</title>
		<link>https://edc15.education.ed.ac.uk/eguzman/2015/02/22/week-6-summary-ethnographic-account/#comment-33</link>
		<dc:creator><![CDATA[Ed Guzman]]></dc:creator>
		<pubDate>Sat, 28 Feb 2015 05:56:57 +0000</pubDate>
		<guid isPermaLink="false">http://edc15.education.ed.ac.uk/eguzman/?p=296#comment-33</guid>
		<description><![CDATA[Hi Sian, Jin, Clare and Nick,

Thanks for the comments and prompts, and apologies for the lack of explanation about how the visualisation tool works!

The basic unit of the visualisation is not actual words but topics. textisbeautiful.net defines topics in a particular way. Unlike simple word counts (how many times does a word appear ), topics represent words or phrases that appear closely and frequently in the text. Topics are determined not by word counts but by the tool’s algorithm. Text is beautiful refers to this algorithm as “our technology” and provides some explanations about the visualizations it generates but not much information about how this algorithm works. At least that’s how I understood this!

According to explanations provided on textisbeautiful.net, topics are then grouped according to themes. (Although as a caveat, I did see three themes that contain only one topic: software bug?) Themes are displayed differently based on the type of visualisation. In word clouds, themes are those topics that appear in the same color; in the correlation wheel, themes are the topics that appear within the same arc. Themes should be viewed collectively: each topic within the  theme are logically related. A good example of how themes summarize the text is the theme that contains the topics “group”, “post”, “email”, “send”, “forward”, “subscribe”. Another good one is the theme with the topics “circle”, “time”, “join”, “looking”, “members”, “available”. Both are incomplete lists but they summarise how participants tried to organize themselves into groups, primarily via email. 

Text is beautiful provides another logical grouping, one that looks at how often a topic appears when another topic is present. Text is beautiful calls this as co-occurrence. Like a theme, co-occurence is calculated, that is, it is determined by an algorithm. Co-occurence is displayed as the highlighted lines inside the correlation wheels. For example, when the topic “silence” appears, the other topics that appear are “stillness”, “images”, “deep” and “metaphors”.

My claim is that the co-occurence of certain topics provide visual evidence of the relationships that participants have built within the MOOC, and that I have read about in the MOOC discussion forum. First, I divided the posts within the forum into two: posts that were about how to organize groups of participants called coaching circles, and posts that were about participant’s reflections about what occurred within those groups. I noticed that the language and tone of those two kinds of posts were very different from each other. The second type, the reflective ones, were more personal, mentioning feelings and emotions more frequently. In the actual posts, several participants reported even crying and feeling deep gratitude after a coaching session. My problem was that I did not want to quote those posts, and certainly not publicly. The correlation wheels provided an abstract but evocative solution. For example, the topic “today” co-occurs with the topics “clarity” and “community”, alluding to the personal insights that participants have gained and have reported happening within the community.

I realise this is crucial information I have missed. Again, apologies for not including this as part of the artefact.]]></description>
		<content:encoded><![CDATA[<p>Hi Sian, Jin, Clare and Nick,</p>
<p>Thanks for the comments and prompts, and apologies for the lack of explanation about how the visualisation tool works!</p>
<p>The basic unit of the visualisation is not actual words but topics. textisbeautiful.net defines topics in a particular way. Unlike simple word counts (how many times does a word appear ), topics represent words or phrases that appear closely and frequently in the text. Topics are determined not by word counts but by the tool’s algorithm. Text is beautiful refers to this algorithm as “our technology” and provides some explanations about the visualizations it generates but not much information about how this algorithm works. At least that’s how I understood this!</p>
<p>According to explanations provided on textisbeautiful.net, topics are then grouped according to themes. (Although as a caveat, I did see three themes that contain only one topic: software bug?) Themes are displayed differently based on the type of visualisation. In word clouds, themes are those topics that appear in the same color; in the correlation wheel, themes are the topics that appear within the same arc. Themes should be viewed collectively: each topic within the  theme are logically related. A good example of how themes summarize the text is the theme that contains the topics “group”, “post”, “email”, “send”, “forward”, “subscribe”. Another good one is the theme with the topics “circle”, “time”, “join”, “looking”, “members”, “available”. Both are incomplete lists but they summarise how participants tried to organize themselves into groups, primarily via email. </p>
<p>Text is beautiful provides another logical grouping, one that looks at how often a topic appears when another topic is present. Text is beautiful calls this as co-occurrence. Like a theme, co-occurence is calculated, that is, it is determined by an algorithm. Co-occurence is displayed as the highlighted lines inside the correlation wheels. For example, when the topic “silence” appears, the other topics that appear are “stillness”, “images”, “deep” and “metaphors”.</p>
<p>My claim is that the co-occurence of certain topics provide visual evidence of the relationships that participants have built within the MOOC, and that I have read about in the MOOC discussion forum. First, I divided the posts within the forum into two: posts that were about how to organize groups of participants called coaching circles, and posts that were about participant’s reflections about what occurred within those groups. I noticed that the language and tone of those two kinds of posts were very different from each other. The second type, the reflective ones, were more personal, mentioning feelings and emotions more frequently. In the actual posts, several participants reported even crying and feeling deep gratitude after a coaching session. My problem was that I did not want to quote those posts, and certainly not publicly. The correlation wheels provided an abstract but evocative solution. For example, the topic “today” co-occurs with the topics “clarity” and “community”, alluding to the personal insights that participants have gained and have reported happening within the community.</p>
<p>I realise this is crucial information I have missed. Again, apologies for not including this as part of the artefact.</p>
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		<title>By: Clare</title>
		<link>https://edc15.education.ed.ac.uk/eguzman/2015/02/22/week-6-summary-ethnographic-account/#comment-32</link>
		<dc:creator><![CDATA[Clare]]></dc:creator>
		<pubDate>Fri, 27 Feb 2015 09:03:04 +0000</pubDate>
		<guid isPermaLink="false">http://edc15.education.ed.ac.uk/eguzman/?p=296#comment-32</guid>
		<description><![CDATA[Wow Ed! Not only really interesting but great presentation!

Would also love to know more about how you created the visualisations.]]></description>
		<content:encoded><![CDATA[<p>Wow Ed! Not only really interesting but great presentation!</p>
<p>Would also love to know more about how you created the visualisations.</p>
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		<title>By: sbayne</title>
		<link>https://edc15.education.ed.ac.uk/eguzman/2015/02/22/week-6-summary-ethnographic-account/#comment-31</link>
		<dc:creator><![CDATA[sbayne]]></dc:creator>
		<pubDate>Thu, 26 Feb 2015 22:12:12 +0000</pubDate>
		<guid isPermaLink="false">http://edc15.education.ed.ac.uk/eguzman/?p=296#comment-31</guid>
		<description><![CDATA[The form you&#039;ve chosen for your artefact is really great Ed, and as usual you make excellent use of visual representation to get your point and analysis across. I particularly like the way you align the &#039;from organzing to reflecting&#039; column chart to Kozinets&#039; move from &#039;tasks&#039; to &#039;relationships&#039;. It would&#039;ve been interesting to see more tracing of the participation patterns over time - but within the limits of this activity that is perhaps asking a bit much.

Could you say a bit more about the final visualisation - &#039;introspection&#039; - as it&#039;s not quite clear to me what is going on here, or how the visual has been generated, and how it has informed your brief analysis? How does the correlation between words indicate &#039;deep connection&#039; between participants? It would be very interesting - either here or in the final assignment - to see more analysis of how these lovely visualisations are generated, and how the textisbeautiful algorithms work on text in a particular way to achieve particular effects.]]></description>
		<content:encoded><![CDATA[<p>The form you&#8217;ve chosen for your artefact is really great Ed, and as usual you make excellent use of visual representation to get your point and analysis across. I particularly like the way you align the &#8216;from organzing to reflecting&#8217; column chart to Kozinets&#8217; move from &#8216;tasks&#8217; to &#8216;relationships&#8217;. It would&#8217;ve been interesting to see more tracing of the participation patterns over time &#8211; but within the limits of this activity that is perhaps asking a bit much.</p>
<p>Could you say a bit more about the final visualisation &#8211; &#8216;introspection&#8217; &#8211; as it&#8217;s not quite clear to me what is going on here, or how the visual has been generated, and how it has informed your brief analysis? How does the correlation between words indicate &#8216;deep connection&#8217; between participants? It would be very interesting &#8211; either here or in the final assignment &#8211; to see more analysis of how these lovely visualisations are generated, and how the textisbeautiful algorithms work on text in a particular way to achieve particular effects.</p>
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